Continuing our series of Heroes of the Resistance, this week we look at a Dutchman by the name of Willem Arondeus. An openly homosexual painter who turned Resistance fighter and saved countless Jewish lives.
Unfortunately Willem didn’t survive World War II and his final words were:
“Let it be known that homosexuals are not cowards”
Willem Arondeus (1894-1943) Dutch writer, painter and partisan
|Born||Willem Johan Cornelis Arondeus
August 22, 1894
|Died||July 1, 1943 (aged 48)
|Known for||Member of the Dutch Resistance|
|Notable work||Matthĳs Maris: de tragiek van den droom (‘The Tragedy of the Dream’)|
Willem Arondeus was born in Naarden, as the youngest son of an Amsterdam tradesman in fuels. His parents were Hendrik Cornelis Arondeus and Catharina Wilhelmina de Vries. He started working as an illustrator, designer of posters and tapestries and a painter. In 1923 he was commissioned to paint a large mural for Rotterdam City Hall. During that same period, he illustrated poems by J. H. Leopold, Pieter Cornelis Boutens and Martinus Nijhoff. He admired the older Dutch designer Richard Roland Holst, as can be seen in his work. He did not attain much glory and lived in straitened circumstances.
About 1935, he gave up visual arts and became an author. The poems and stories he had written in the 1920s went unpublished, but in the year 1938 he published two novels, Het Uilenhuis (‘The Owls House’) and In de bloeiende Ramenas (‘In the Blossoming Winter Radish’), both illustrated with designs by Arondeus himself. The year 1939 saw the publication of his best work, Matthĳs Maris: de tragiek van den droom (‘The Tragedy of the Dream’), a biography of the painter Matthijs Maris, who was a brother of the Dutch artists Jacob and Willem Maris. Two years later, Figuren en problemen der monumentale schilderkunst in Nederland (‘Figures and Problems of Monumental Painting in the Netherlands’) was published, again with designs by the author. At that date, however, Arondeus was already involved with the Dutch resistance movement.
In the spring of 1941, he started an underground periodical in which he tried to incite his fellow artists to resist the Nazi occupation of the Netherlands. Earlier than others, Arondeus realized that the demand by the Nazi occupiers that all Jews register with the local authorities was not, as the Nazis claimed, for their own safety, but rather so they could be deported to the Westerbork concentration camp and from there to the death camps in occupied Poland. In the spring of 1942, Arondeus founded Brandarisbrief, an illegal periodical in which he expressed the artist’s opposition to the edicts imposed by the Reichskulturkammer (Reich Chamber of Culture), the Nazis’ cultural committee. In 1943, Brandarisbrief merged with De Vrije Kunstenaar (“The Free Artist”), where sculptor Gerrit van der Veen was one of the editors. Together with composer Jan van Gilse and a number of other artists and intellectuals, the group called for mass resistance against the German occupation.
A concerted operation was underway to hide Jews among the local population, with various underground organizations preparing forged documents for Jews. Arondeus was a member of one such group,
Biography (in Dutch)
In 1945, after the liberation of the Netherlands, Arondeus was awarded a posthumous medal by the Dutch government and was reburied in Erebegraafplaats Bloemendaal. In addition, in 1984, he was awarded the Resistance Memorial Cross; the delay in the award is believed to have been due to his sexual orientation. On 19 June 1986, Yad Vashem recognized Arondeus as Righteous Among the Nations.
In his last message before his execution, Arondeus, who had lived openly as a gay man before the war, said, “Let it be known that homosexuals are not cowards.”
Information courtesy of Project Gutenburg